Acting

Now that it’s over, let’s discuss why it’s so good

A new production puts a generation of emerging African-Australian theatrical voices centre stage, telling stories that excite and challenge

Stage combat isn’t about hitting stuff – it requires a lot of choreography, training and skill to create the convincing illusion that you are, actually, hitting stuff

It’s the 17th-century witch-hunt story everybody knows, but what relevance does Arthur Miller’s play The Crucible have today? Acclaimed theatre director Adena Jacobs explains her modern take on the play, before her UK operatic directorial debut

From an improvisational trapeze performer and fire eater in the 80s to a celebrated Melbourne Fringe ‘living legend’, Rinske Ginsberg reflects on a life on stage

As Melbourne hosts the world’s first full-scale working replica pop-up of one of the greatest theatres in history, the second Globe, we explore what the Bard would make of it

Finally, we have some evidence that DC’s superhero juggernaut is changing course, but it’s moving very slowly

Take two titular superheroes, add a dash of Wonder Woman, some over-the-top effects, and relax – or run from the cinema faster than a speeding bullet

If we are going to salute the year’s best, it makes sense to do the same with the year’s worst films