How hands-on art can make a difference
By encouraging their audience to participate in art making, artists are using the idea of 'flow' to personally engage people in the issues they are exploring.
Jon Cattapan, artist, on his Melbourne art tram
Jon Cattapan, visual artist and Deputy Director of the Victorian College of the Arts, discusses his work for the 2016 Melbourne Art Trams project.
Unearthing Australian art? It’s a Minefield
In 1973, Australian experimental artist Tim Burns had an incendiary idea for an artwork: a minefield with real explosives, hidden from an unsuspecting public.
Disaster relief, a dish best served bold
Artists Dawn Weleski and Jen Rae are taking discussions about food and climate change to a new level for a disaster-relief scenario in North Melbourne Town Hall
Edgar Degas: Capturing a world of movement
More than just pretty ballet dancers, Degas work depicts the energy, vitality and daily life of Paris at the end of the 19th century.
Fowler and Gorman: From street art to street smart
Contemporary artist and Victorian College of the Arts graduate Fred Fowler has launched a new collaboration with the popular Australian fashion brand Gorman.
We are the Australians, we have the power
Bruce Pascoe, Australian author, delivers the 2016 Lin Onus oration at the University of Melbourne, on the real and present value of Indigenous culture and art.
Wilin and able with Indigenous art and culture
Personal experience lies behind John Wayne Parsons' passion for creating opportunities in the arts for Indigenous students.
Universe Within sparkles at White Night
Art and science at the University of Melbourne collide in a universal dance of microscopic imagery at White Night, Melbourne's night of culture and creativity.
Getting your Monet’s worth in a changing art market
Art market researcher Dr Meaghan Wilson-Anastasios examines the rapidly evolving relationship between art and money on the international stage.