The slings and arrows of outrageous fortune
The magic that makes great plays comes from empathy, experience and all that is wondrous and strange, writes University of Melbourne's head of theatre
The power of queer performance
University of Melbourne's Alyson Campbell will co-lead the Feral Queer Camp, asking what makes performance queer and how to develop a network of queer thinkers
Shakespeare and lost plays
A new book by a University of Melbourne researcher explores the hundreds of lost plays known to Shakespeare’s original audiences and their value to modern drama
Putting diversity centre stage
A new production puts emerging African-Australian theatrical voices centre stage, telling stories that challenge us, says a University of Melbourne expert.
The Crucible reborn
Theatre director and University of Melbourne alum Adena Jacobs explains her modern take on The Crucible and looks forward to her UK operatic directorial debut.
Putting cross-cultural stories centre stage
University of Melbourne masters student Kim Ho has won the prestigious Patrick White Playwrights’ Award for his play Mirror’s Edge - set near Lake Tyrrell.
Two plus two equals 1984: Orwell’s nightmare or smug satire
Orwell's politics ring true today, but does Headlong Theatre's production of 1984 undermine the author's vision?