Opera

Australian artists are struggling. To support those who tell Australian stories, we need to go beyond the government’s Revive policy

Timothée Chalamet called opera and ballet irrelevant. The industries clapped back, tickets sold – but now comes the harder task of keeping those audiences

A 70-year-old silent film has given opera singer Tiriki Onus a unique insight into the life and work of his Aboriginal leader and filmmaker grandfather

Caitlin Vincent, a lecturer in the creative industries, describes how we can interpret classical operas in a way that does not perpetuate harmful stereotypes or cultural appropriation

It’s the 17th-century witch-hunt story everybody knows, but what relevance does Arthur Miller’s play The Crucible have today? Acclaimed theatre director Adena Jacobs explains her modern take on the play, before her UK operatic directorial debut

When Pecan Summer makes its debut at the Sydney Opera House, Yorta Yorta soprano and composer Deborah Cheetham will realise a calling heard at a very early age

Dr Erin Helyard has been praised as a virtuosic soloist as well as an inspired and versatile conductor, but his passion for performance goes way beyond the self

For sopranos Deborah Cheetham AO and Shauntai Batzke, the Reconciliation Choir goes beyond a one-off performance

Voyage to the Moon, a new pasticcio opera, will help give researchers insight into the development of emotions

Watch the video: How Shauntai Batzke impressed the singers, composers and impresarios from New York’s famous opera house, the Met