Theatre
Arts & Culture
Opinion
Australia's arts sector needs more than words to survive
Australian artists are struggling. To support those who tell Australian stories, we need to go beyond the government’s Revive policy
Arts & Culture
Opinion
Have ballet and opera actually benefited from a Chalamet Effect?
Timothée Chalamet called opera and ballet irrelevant. The industries clapped back, tickets sold – but now comes the harder task of keeping those audiences
Arts & Culture
Under the Microscope
What remains of a performance when the curtain goes down?
Archives are an incomplete but important record of dance and theatre, and the history and artistry of University of Melbourne students is being revisited through these ‘remains’
Arts & Culture
The rebirth of ‘The Doll’ at its theatre of origin
History and future come together with a new staging of Ray Lawler’s iconic play Summer of the Seventeenth Doll at the new Union Theatre
Arts & Culture
The slings and arrows of outrageous fortune
There’s no easy answer to writing great plays but part of the magic comes from empathy, experience and all that is wondrous and strange
Arts & Culture
Podcasts
The power of queer performance
Alyson Campbell will co-lead the Feral Queer Camp, hosting activities about what makes performance queer and how we might develop a network of queer thinkers
Arts & Culture
Book extract
Shakespeare and lost plays
A new book explores the hundreds of plays known to Shakespeare’s original audiences that are now lost to us, and their value to early modern drama
Arts & Culture
How will the arts recover from COVID-19?
Working with the limitations and opportunities of online interfaces, artists whose careers survive the pandemic will emerge with an altered sense of what they do, and of their place in society
Arts & Culture
Putting diversity centre stage
A new production puts a generation of emerging African-Australian theatrical voices centre stage, telling stories that excite and challenge
Arts & Culture
Pulling no punches: The underrated art of stage fighting
Stage combat isn’t about hitting stuff – it requires a lot of choreography, training and skill to create the convincing illusion that you are, actually, hitting stuff