Some of the most vibrantly coloured creatures in the animal kingdom don’t owe their amazing colours to pigment. Instead, they cover themselves with microscopic structures that fine tune the way they reflect light.
Now, these animals are inspiring a new generation of nanotechnology.
Understanding why these structures occur in nature, and how we can learn to use them, has inspired the University of Melbourne’s BioInspiration Hallmark Research Initiative; a project that takes principles underpinning biological systems and applies them creatively to technology and design.
From beetles to brand new technology
Professor Devi Stuart-Fox, a researcher in the School of BioSciences at the University of Melbourne, is currently looking into the world of colour in the animal kingdom.
“Can I give you an example?” she asks, pointing at a collection of shiny-shelled beetles on the table in front of her.
“We have a lot of beetles that are so shiny and metallic that they are almost mirror-like and the question is ‘why?’”
Within the BioInspiration Initiative, Professor Stuart-Fox is collaborating with Professor Ann Roberts, from the University’s School of Physics, who is working on manufacturing structural colour for technological applications like more compact displays and higher resolution cameras.
The different aspects of colour
“When you think about coloured objects, generally you think about colours that are based on pigments or dyes,” Professor Roberts explains.
“In those materials the different wavelengths will be selectively absorbed and the others will be reflected back, and this is what we perceive as being coloured.”
Structural colour is more nuanced.
By covering a material with arrays of nanostructures, it’s possible to tune the surface of a material to specific wavelengths of light.
Tailoring the size and shape of these structures means scientists can change which parts of the visible spectrum a surface interacts with.
They can precisely tune which wavelengths are reflected, creating ultra-pure colours, as well as which wavelengths are transmitted, making the surface transparent to select colours or polarisations of light.
A new world of colour
Compared to pigments, structural colours unlock a world of possibility.
“There are all these optical effects that you get with structural colour that you don’t get with pigment-based colours,” Professor Stuart-Fox explains.
Structural colour allows for effects like iridescence, where a surface changes colour depending on the viewing angle.
You can see this on display in the plumage of hummingbirds. This same effect is responsible for the rainbow-coloured reflections you see on the bottom of CDs and DVDs, and the colour-changing pearlescent paint on cars.
The complexity dilemma
The puzzle for biologists like Professor Stuart-Fox is to figure out why animals are using such complex colouring. With some beetles, the structure of their shell creates a mirror-like effect.
“One idea is that they are so shiny that they reflect the surrounding vegetation, so it’s camouflage. Even though they look like they’d stand out like a sore thumb, it actually really works,” she says.
“The alternative explanation is that birds and other animals can easily pick out these shiny objects, but they avoid them - they think ‘that is not food’. But neither of these ideas have been tested.”
Professor Stuart-Fox is setting up a large experiment placing hundreds of replica beetles in rainforests and open environments to try and distinguish between the camouflage and avoidance theories.
She is also running a visual search task that has people wearing mobile eye trackers to see how effective the beetles’ camouflage is against humans.
Nature inspiring new technology
While biologists look at the evolutionary benefits of structural colour, physicists like Professor Roberts are working out ways to harness structural effects for technological applications.
One way to make structural colour in the lab is to carve patterns into a material using electrons in a process called electron beam lithography.
But this can be time-consuming and expensive, and it can only be used on small patches of material.
“We’re actually working on developing a more scalable approach,” says Professor Roberts.
Her work involves producing reusable moulds that stamp structure into soft plastics, which is much more efficient at covering large surfaces than electron beam lithography. It also simplifies the colouring process significantly.
If we look at standard colour printing, it requires layering several different inks, which is why inkjet printers have multiple colour cartridges. But structural colour can achieve the same result with a single stamp.
And, unlike its pigment-based counterpart, structural colour doesn’t fade over time.
The future of colour
While structural colour may have aesthetic uses, Professor Roberts’ research is looking at more valuable applications of the technology, which could enable the production of higher resolution cameras as well as ultra-thin television and smartphone displays.
To achieve things like higher resolution, we need to make the pixels in these devices smaller.
Pixels use tiny red, green and blue filters to produce the colours that we see on our screens. So, pixel size is fundamentally limited by the size of the colour filters you can produce.
Pigment-based filters in current devices are generally a few micrometres thick. But with structural colour, Professor Roberts can create filters that are around ten times thinner, moving into the nanometre scale. Smaller pixels allow for higher resolutions and more compact technology.
Her recent research involves integrating a structural colour filter directly into a silicon chip.
“The filters that produce red-green-blue are then part and parcel of the actual device, you’re not using a big chunky dye-based filter that you put on top of it,” she says.
Not only does this allow her to make smaller filters, it also avoids the manufacturing difficulties associated with aligning pigment filters with pixels on the micro scale.
Professor Stuart-Fox says the utility of structural colour is in its diversity.
“Biological structures tend to be complex, but they use a few basic building blocks,” she says.
“Now that we have the capacity to manufacture more complex structures and materials, we have more capacity to draw on biology as a source of inspiration.”
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